Choreographer, Oral Historian, Researcher
Ricardo Viviani is an experienced dancer, choreographer from São Paulo, Brazil. He began his dance studies at the Ballet Stagium in São Paulo, before moving to New York to attend the Joffrey Ballet School. He then returned to Brazil to study Theater Direction at the Universidade de São Paulo and later, Cultural Sciences at Fernuniversität in Hagen, Germany. He worked as a dancer for the Balé da Cidade de São Paulo, Grupo de Dança Cisne Negro and the National Theater of Germany in Weimar. He also performed as an actor in musicals in productions such as “A Chorus Line” in Brazil and on Broadway.
Ricardo has also established a successful career as a choreographer in the independent scene, as well as in contemporary opera and musicals. As a choreographer, Ricardo is known for his creativity and ability to create dynamic and engaging performances that connect with the audience on a deep level. He understands the importance of clarity and eloquence in the transformation of ideas into action and works closely with artists to help them reach their audiences in the most effective way possible. He has a deep understanding of the art of composition passed down from great masters like Rolf Gelewski and Bessie Schoenberg, and is able to create visually impactful and emotionally powerful pieces.
Ricardo Viviani is also a highly skilled educator, with deep knowledge of the creative process and the ability to transform ideas into theatrical events. He possesses the skills necessary to turn raw ideas into fully realized performances. He has taught modern dance technique and choreography at the State University of New York, Dutchess College in Poughkeepsie and at Folkwang University for the Arts. His understanding of the creative process is further highlighted by his work as a researcher and oral historian at the Pina Bausch Foundation, where he has the opportunity to document and analyze the work of other renowned choreographers and dancers. He brings this wealth of knowledge and experience to his work as an educator, helping students develop their own unique perspectives and find their place in the world of dance and theater. In addition, Ricardo is a sought-after speaker and has presented lectures and workshops on choreography, composition and the creative process at various universities and cultural institutions. His work is widely recognized as a valuable contribution to the dance and theater world and continues to inspire the next generation of dancers and choreographers.
